Unas Slayer Of The Gods mp3 ringtone
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Unas Slayer Of The Gods Lyrics
Poureth Down Water From the Heavens
Tremble the Stars
Quake the Bones of Aker
Those Beneath Take Flight When They See
Unas Rising
The Akh of Unas Is Behind Him
The Conquerer Are Beneath His Feet
His Gods Are In Him
His Uraei Are on His Brow
The Words of Unas Protect Him
Unas This Bull of The Heavens
ThatTrusteth With His Will
Living On Utterances of Fire From
The Lake Of Flame
Unas That Devoureth Men and Liveth on The Gods
Behold Amkebu Hath Snared Them for Unas
Behold Tecber Tep F Hath Known Them and
Driven Them Unto Unas
Behold Her Tbertu Hath Bound Them
Behold Khensu The Slaughterer of Lords
Hath Cut Their Throats for Unas
Behold Shesemu Hath Cut Them Up For Unas
Unas Hath Ingested Their Spirits
Hath Feasted On Their Immortality
He Hath Consumed their Shadows
Unas The Slayer of the Gods
Unas The Sekhem Great
The Sekhem of the Sekhemn
Unas The Ashem Great
The Ashem of the Ashemn
Behold Orion
Unas Riseth
Unas Hath Taken Possession
Of the Hearts of the Gods
Unas Feedeth on their Entrails
He Hath gorged on their Unuttered Sacred Words
He Hath Assimilated the Wisdom of the Gods
His Existence is Everlasting
Behold The Souls of the Gods are in Unas
Their Spirits are In Unas
The Flame of Unas in Their Bones
Their Shadows are With their Forms
Unas is Rising
Hidden Hidden
[Unas was the ninth and last Pharaoh of the 5th Dynasty. He is said to have lived from 2375 to 2345 B.C., but some Egyptologists date him as far back as 5330 B.C. The internal structure of his pyramid is known for incorporating several innovative features, but is most recognized for the inclusion of vertical lines of hieroglyphs on the walls of the vestibule and burial chamber. When Maspero opened the Unas pyramid in 1881, he found texts covering these stone walls to be extremely difficult to decipher, because of their archais characters, forms, and spellings. These were magickal/religious texts, designed to ensure the safe passage of the Pharaoh into the next world. They are known today as the "Pyramid Texts." According to these texts, Unas became great by eating the flesh of his mortal enemies and then slaying and devouring the gods themselves. Those gods that were old and worn out (Egyptian gods aged and died) were used as fuel for Unas's fire. After devouring the gods and absorbing their spirits and powers, Unas journeys through the day and night sky to become the star Sabu, or Orion. While this is certainly not the first reference to cannibalism in Old Kingdom texts, what is notable is the method by which the Pharaoh Unas achieves deification and immortality; by turning on the gods, slaying and then devouring them, and thus ascending to the heavens to become the star Orion. The concept was remarkable to Maspero, who found the idea to be of "absolute savagery." Maspero seemed to be reeling from a confrontation with a symbolic revival of pre-dynastic cannibalistic rites - which are suggested, according to Maspero, by the gnamed and disconnected bones found in certain early graves. Professor Petrie suggests that at the original Sed festival, the tribal king appears to have been sacrificed and devoured, so that his people might derive from his flesh and blood the power and virtues which made him great. This practise was based on a belief in contagious magick. Bulls and boars were eaten to give men strength and courage, deer to give fleetness of foot, and serpents to give cunning. The blood of slain and wounded warriors was drunk so that their skill and bravery might be imparted t the drinkers. Similarly, Unas feasts after death on the spirits of the gods, and on the bodies of men and gods. He swallows their spirits, souls, and names, which are contained in their hearts, livers, and entrails, thus, Unas becomes allpowerful. In attempting to bring this epic-length text to song from, it was necessary to make some minor concessions, firstly, that every version I have at home of the text is translated somewhat differently, and thus there is not any singularly definitive versions; and secondly, that it would just not be possible to include every last line from the original text. That would probably necessitate a song inconceivable in length. As it is, in concise song lyric form, "Unas Slayer of the Gods" weighs in at about 12 minutes plus - and that is using what would be considered only the bare minimum essential lines for the development and presentation of the main aspects of the text. For those interested in reading the entire work, there are several versions readily available online or by ordering from a local bookstore. I typed in "Unas Slayer of the Gods" in a couple of search engines and was astounded at the number of results that came back.]
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User-Maat-Re
Lashed To The Slave Stick
Von Unaussprechlichen Kulten
Annihilation Of The Wicked
Cast Down The Heretic
The Burning Pits Of The Duat
In Their Darkened Shrines: I. Hall Of Saurian Entombment
In Their Darkened Shrines: IV. Ruins
The Blessed Dead
Kheftiu Asar Butchiu
Wind Of Horus
In Their Darkened Shrines: III. Destruction Of The Temple Of The Enemies Of Ra
Sarcophagus
I Whisper In The Ear Of The Dead
In Their Darkened Shrines: II. Invocation To Seditious Heresy
Execration Text
Churning The Maelstrom
The Black Flame
Multitude Of Foes
To Dream Of Ur
Defiling The Gates Of Ishtar
Masturbation The War God
Nas Akhu Khan She En Asbiu
Khetti Satha Shemsu
Black Seeds Of Vengeance
Libation Unto The Shades Who Lurk In The Shadows Of The Temple Of Anhur
Chapter For Transforming Into A Snake
The Nameless City Of The Accursed
Divine Intent
Immortality Through Art - Godless
Wrought
The Black Hand Of Set
Extinct
Nepenthe
Worship The Animal
Mecca
Le Chant De Ygre
Surrounded By Fright
Smashing The Antiu
Serpent Headed Mask
Die Rache Krieg Lied Der Assyriche
Opening Of The Mouth
Kudurru Maqlu
Stones Of Sorrow
Pestilence And Iniquity
Barra Edinazzu
Ramses Bringer Of War
The Howling Of The Jinn
Beneath Eternal Oceans Of Sand
Sacrafice Unto Sebek
Chapter Of The Obeisance Before Giving Breath To The Inert One
Spawn Of Uamenti
